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The Low Whistle

The Low Whistle

In recent years few people can have avoided being impressed by the beautiful and haunting sound of The Low Whistle. Perhaps made more popular through such tracks as The Titanic Theme or the explosion of The River dance phenomenon at the Eurovision Song Contest. To some folkies from more specialist fields this instrument was no stranger to them at all. But how did it evolve?

The Low Whistle is derived from the most primitive wind instruments known to mankind, with archaeologists of every continent confirming that people have been blowing through wooden or bamboo pipes since the dawn of civilisation. The bamboo pipe still plays a fundamental part in South American music, with pipes of different lengths tied together and blown across the open top. This instrument known as “Pan Pipes” has a similar sound to the low whistle. The bamboo pipe, a close cousin to the low whistle, was popularised in Europe in the late 1960’s with groups such as Los Incas, who lent their sound to El Condor Pasa. The whistle as we know it today has an ancestry as varied as the ornate Baroque Recorder and the high pitched French Instrument used for training captive singing birds.


Bernard Overton a legendary and much revered maker, recalls that his close friend the great whistle player Finbar Furey, played the original recording of The Lonesome Boatman, perhaps the ultimate whistle showpiece, on a bamboo pipe. Bernard was so impressed by the sound of Finbar’s instrument that he was inspired to construct a more substantial whistle for him when his original A flat bamboo pipe gave up the ghost. This was the inevitable consequence of several years’ constant use from the late 1960s till early 1970s (rumour has it that Finbar sat on the pipe at a party!).
 
Bernard Overton’s first instrument for Finbar Furey was a metal whistle, pitched in the key of G, which at approximately 440mm was larger than any other whistle available at that time. Finbar was so taken by this new instrument that he asked Bernard to make him another in D. At nearly 580mm in length, it was even bigger. The tenor D instrument became the prototype for the world famous Overton Low Whistle. Overton’s - hand made from extruded aluminium, are now available in more than twenty different keys and sizes, available in Soprano, Mezzo Soprano, Alto, Tenor, Baritone and (daunting) Bass Baritone formats.
 
There are many now many manufacturers of Low Whistles worldwide. Few people will deny the contribution Bernard Overton has made to development of The Low Whistle.

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